Big Hollywood’s Veronica DiPippo takes the Hollywood left to task over their Che worship and points out how they ignore history, but she does it with a twist. She doesn’t look at the 1920′s and the 1930′s–she goes way back to 1782:
That was the year a new play by Pierre Beaumarchais really began to make ripples in pre-revolutionary France. â€œLe Mariage de Figaroâ€ was a clever comedy about the continuing exploits of The Barber of Sevilleâ€™s main character, Figaro. The inspiration for Mozartâ€™s opera was, in fact, considered revolutionary, because its main character openly criticized the nobility.
So, how does Figaro of the 1700′s compare to today’s Che-worshipping Hollywood?
Instead of identifying with the character of Count Almaviva, the nobleman Figaro was railing against, the French aristocracy, in a fit of cognitive disconnect worthy of a Hollywood liberal, identified with Figaro, the Countâ€™s lowly servant. Soon, Beaumarchaisâ€™ bon mots became all the rage among the very people they scorned and sought to undermine. Despite King Lous XVIâ€™s ban, Figaro quickly topped the must-read list of the French elite. All those who desired a reputation as a wit, daring lover of the risquÃ© and trend-setting raconteur simply had to have it read in their parlors by the author himself.
And that leads to…
The Internet is filled with first-hand accounts of Cuban repression and brutality. Most poignant, perhaps, for any artist enjoying the free exercise of their art in a country of unparalleled freedom, are the accounts of writers, poets, artists, and musicians who have been persecuted and imprisoned for the crime of merely expressing themselves.
The fact that any self-respecting artist would champion an oppressor of artists is disturbing to say the least. In a breathtaking act of obstinate unawareness, Americaâ€™s Che-lovers have recklessly endorsed a system of government, which â€“ were it ever allowed to flourish on these shores â€“ would necessarily result in their own destruction.
And that’s but one reason I often say those who support the Cuban dictatorship should be forced to live there, not as one of the privileged elites but as one of the Castro regime’s victims.